Jasmine is a featured articlewhich means it has been identified as one of the best articles produced by the Disney Wiki community. If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute. Princess Jasmine is the deuteragonist of Disney 's animated feature film, Aladdin. She is an independent, rebellious, and young princess from Agrabaha Middle Eastern kingdom ruled by her father, the Sultan.
As the future Sultana, Jasmine has a strong sense of obligation to her kingdom. Because of outdated laws, however, she was forbidden to go beyond the palace walls and forced to follow unjust practices.Naomi Scott - Speechless (from Aladdin) (Official Video)
Refusing to be treated like a sheltered object, Jasmine aspires to diverge from her societal confines and have a life where she is free to make her own choices. Jasmine is loosely based on the character of Princess Badroulbadour from the Aladdin fairy tale featured in the One Thousand and One Nights collection of stories in which the film is based.
She is also the sixth official member of the Disney Princess line-up. Jasmine is the daughter of the Sultan of Agrabah and his late wiferesiding in the kingdom's lavished palace alongside her father and loyal pet tiger, Rajahwhom she found years before the events of the film. She believed him to be a spiritual gift from her mother, who would tell her stories about the "star tiger" named Rajah.
Because of her status as a princess, Jasmine was unfortunately forbidden to ever leave the palace walls, spending her life sheltered within the confines of the royal home.
She often felt suffocated by the laws of her kingdom, which restricted her from socializing with her subjects and forced her to constantly meeting suitors to possibly arrange marriages. This situation ultimately prevented Jasmine from making any connections, as she had never had any real friends aside from Rajahand left her with the desire to see the world and experience life outside of being a sheltered princess, which would eventually result in meeting Aladdin.
Loosely inspired by the Aladdin folk tale, Howard Ashman 's treatment for an animated adaptation of Aladdin included a shallow, spoiled, and materialistic princess named Jasmine, whose "brattiness" served as comic relief in the story.
Her personality was fleshed out in the song " Call Me A Princess ", in which she arrogantly flaunts her royal status. There was also another female character, a tomboyish street urchin named Abbi, who joined Aladdin on his quest to rescue the princess. At the end of Ashman's treatment, Aladdin is offered the princess's hand in marriage, but he ultimately refuses in favor of his true love, Abbi. However, as development on an Aladdin film furthered at the studio, Ashman's screenplay saw major revisions.
The Abbi character was cut, while Jasmine was given a larger role as Aladdin's love interest. Furthermore, Jasmine's "spoiled brat" persona was scrapped in favor of a character that was more endearing and sympathetic. In Linda Woolverton 's screenplay, the relationship between Aladdin and Jasmine served as a driving force of the narrative, slowly replacing Aladdin's desire to make his mother proud as was the case in Ashman's treatment.
Woolverton also gave the princess a human handmaiden for a friend. Although Ron Clements and John Musker enjoyed the love story blossoming between Aladdin and Jasmine, they believed Woolverton's script featured too many human characters and seemed better suited for a live-action format as a consequence. They sought to remedy the issue by adding characters that were "animation-friendly", thus, the handmaiden was replaced with a pet tiger.
Even with Musker and Clements on board to direct, there was still work to be done with the story. While observing preliminary sketches of Aladdin and Jasmine the former of whom was portrayed as a young boy, while Jasmine was a young womanJeffrey Katzenberg believed that a love story between the two would be seen as unrealistic, as a woman of Jasmine's age and beauty would never fall for a juvenile like Aladdin. Screenwriters Ted Elliott and Terry Rossio called for an aged up and redesigned Aladdin, while also expanding Jasmine's character to be "stronger".
She initially rejected her role as a princess because of the unethical requirements that come with the role, including being forced to remain within the palace at all times, forced to marry for political gain rather than love, and treated as a tool rather than her own person. After gaining her independence by the end of AladdinJasmine is shown to be very much ruler of Agrabah alongside her father, as opposed to merely sitting around on the sidelines. She takes part in most of the political disputes and garners an amount of respect equal to her father.
Strong-willed and defiant, Jasmine is not afraid to speak her mind, nor will she hesitate to stand up for what she believes is right. Her open resentment towards Agrabah's outdated laws, and her belief that people should be judged solely by their character rather than their background, shows that she is progressive. This mentality allowed her to see the goodness in Aladdin, despite his background as a street urchin. In " Garden of Evil ", she was able to see the humanity in the plant creature Arbutuswhereas others assumed that he was a soulless monster.
However, Jasmine's attitude often put her at odds with her father and other members of the elite, who were content with sticking to the status quo and expressed frustration with her refusal to do the same.
She has been something of an outcast amongst royalty as a result, so she developed a standoffish nature and sometimes acts incredibly stubborn as a defense mechanism.
More comically, siccing Rajah on those who annoy her is another defense mechanism that she has become infamous for.He nevertheless sustained a heroically selfless deposition, which in turn made him entitled to a magic lamp concealing a wish-granting genie. In the earliest stages of the story, Aladdin was portrayed as a much younger character - a boy, as opposed to a young man. The idea was brought upon by animator Glen Keane, who believed Aladdin, the lead of an underdog story should have a more meager, vulnerable appearance to match his role in the film's narrative.
In addition, he claimed that typical Disney films have a sort of class system with their characters, such as the cartoonish sidekicks, the dramatic villains, the beautiful heroines, and the boring "Prince Charming"-type heroes that "nobody ever wanted to animate".
Though directors Ron Clements and John Musker enjoyed the idea, executive producer, Jeffrey Katzenberg did not, feeling the romantic relationship between a meek Aladdin and the beautiful Princess Jasmine would come off as unrealistic, as Jasmine wouldn't find herself physically attracted to that portrayal of Aladdin.
Katzenberg saw the early versions of Aladdin to be along the lines of Michael J. Fox, but should instead be along the lines of Tom Cruise, in terms of appearance. Glen Keane rectified the issue, making Aladdin a tad more muscular, with broader shoulders, and more defined features. However, to keep in touch with the original concept, Keane, Musker, and Clements worked to retain a sense of youth and innocence to Aladdin through his facial design and character portrayal, prominent during the film's more comedic scenes.
An integral part of Aladdin's story during the early stages of the film was the role of his mother. Initially, Aladdin was not an orphan, but instead, a young boy living alongside his single mother in the lowest part of Agrabah. Throughout the story, Aladdin's quest to find something greater than himself, and prove his worth, was driven by his desire to make his mother proud, famously vocalized through the deleted song "Proud of Your Boy", written by Howard Ashman and Alan Menken.
When the film underwent a rewrite, from start to finish, writers and consultants, Ted Elliot and Terry Rossio suggested the mother and concept surrounding her to be scrapped from the film, which the filmmakers agreed to, having discussed the deletion beforehand.
Despite his upbringing, at the start of the film, Aladdin was a generally optimistic, fun-loving, and charming character. Though he was forced to steal for survival, he showed joy in escaping the brutish guards, alongside his sidekick Abu, and showed an attempt to find enjoyment in the struggles of his day-to-day life. Nevertheless, though he didn't mind stealing from the marketplace denizens, albeit forcibly so, Aladdin was, in no way, a selfish character.Valorant dodging penalty competitive
Not only were the thefts for survival, as mentioned above, but Aladdin was also never above sacrificing his food for the less fortunate of Agrabah, such as starving children.
This is an example of Aladdin's selflessness, which was showcased several times throughout the film, specifically for the sake of Jasmine, and most notably, during the finale, Genie. This trait was also carried over to the further stories of the franchise, such as The Return of Jafarwhere the street rat is shown to commonly rob lairs of thieves, and donate the stolen jewels and riches to Agrabah's less fortunate citizens.
While harboring a modest amount of physical prowess, Aladdin's true strength lies within his intelligence and wit.Ai text generator
He utilizes these aspects to best his enemies, and such practices have proven effective in various situations throughout the franchise. He is a quick-thinker, with the ability to formulate a scheme usually varying in scale, making him rather versatile that ends in his favor. He also takes advantage of his societal stereotype to further his schemes, as most wouldn't expect a meager street urchin to have the intellect to outwit others. Although generally cheery and fun-loving in nature, Aladdin was also shown to be insecure throughout the events of the original film.
Being a street rat, Aladdin normally faced discrimination in the city of Agrabah and was seen as a worthless member to society. This cruelty eventually led Aladdin to believe such claims; he saw himself as unworthy of Princess Jasmine's affections, believing she deserved someone of higher class and, by extension, someone who can provide for her.
These insecurities would prompt Aladdin to perform negative acts such as compulsively lying, going back on promises, and hiding his true self under the guise of "Prince Ali".
Once the climax of the original film arrives, however, Aladdin is stripped of his aid including magic and the help of his allies forcing him to act on his own in order to save the city. He does so by putting his wit to use and successfully ends the battle victorious.
Following these events, Aladdin became more accepting of his status, refusing to continue living a lie, and embracing who he is as a person. As seen throughout episodes of the television series, however, Aladdin's insecurities haven't diminished completely. Although more accepting of his status as a "street rat", Aladdin remained somewhat self-conscious when given important tasks to complete, as seen in the episode "Mudder's Day", where the Sultan was confident enough to place Aladdin in charge of an expedition, though the latter would continuously doubt his own leadership out of anxiousness.
In "My Fair Aladdin", Aladdin made an attempt to reform his image to better conform with Jasmine's dinner guests, consisting of haughty, high-classed royalty.Jafar is a featured articlewhich means it has been identified as one of the best articles produced by the Disney Wiki community.
If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute.
Jasmine (Disney character)
Jafar is the main antagonist of Disney 's animated feature film Aladdin. As Royal Vizier of Agrabahhe was presented as the Sultan 's most trusted and loyal advisor.
In truth, the imperious Jafar held passionate disdain for the Sultan. He dedicated the latter half of his life to gaining ownership of a magic lamp containing an all-powerful genie — to that end, Jafar would control cosmic power, which he would use to overtake the throne and the world at large. Jafar is loosely based on the wicked sorcerer and vizier from the Aladdin folk tale in the One Thousand and One Nights collection of stories.
With an elegant, yet cheeky approach to villainy, coupled with a dry sense of humor and menace, Jafar is amongst Disney's most renowned villains, and would later feature as a primary member of the Disney Villains franchise. As established in the film, Jafar is the second most powerful authority in Agrabah, answering only to the Sultan.
He is always accompanied by his sarcastic, devious pet parrot, Iago. Jafar primarily operated from a secret lair hidden behind the walls of his bedroom in the Sultan's palace. Whilst presenting a charming and respectable exterior to the Sultan and the people of Agrabah, he secretly holds everyone around him in contempt and is a power-hungry individual.
Towards Agrabah's royal family, he constantly manipulates the Sultan by means of hypnotizing him with a magical snake-headed staffwhich he always carries on his person.
He had traveled widely and amassed a wide knowledge of magical artifacts and legends. Until he uses Genie 's powers to become a sorcerer, and later a genie, however, his magical abilities were limited to the use of such artifacts as he has collected, and his prowess as an accomplished alchemist. He also had some contacts within the Agrabah underworld, including the thief Gazeem.
Little is known about Jafar's past. As far as Jafar's family goes, he has a twin sister named Nasirawho tried bringing her brother back to life in the game, Nasira's Revenge. She respects Jafar and the sibling bond between them is quite strong. In Howard Ashman 's original treatment for the Aladdin story, the villain of the tale was referred to as The Waziran evil sorcerer of sorts with a smart-mouthed parrot named Sinbad for a sidekick.
The character takes inspiration from three different characters in the Aladdin folk tale, including the sorcerer from Maghreb, the sorcerer's evil brother, and the Sultan's vizier who wishes to have his son marry Princess Badroulbadour. The original draft also included several reprises of " Arabian Nights ", one of which introduced the Wazir, as well as his plot to kill the Sultan and take over the kingdom.
Ashman's version of Aladdin was poorly received, which called for an overhaul of the story. However, Ashman's parrot character, Sinbad, was dropped. They also revived the villainous parrot sidekick, now named "Iago".
Initially, the Jafar character was portrayed as loud, easily-agitated, and prone to temper tantrums, while Iago was more calm and collected. The filmmakers eventually agreed that a calmer Jafar would be more sinister and threatening, so the personalities of Jafar and Iago were swapped so that the former was more subdued, and the latter was loud and overly-aggressive. The two villains bear numerous similarities—collected personalities, regal attire including dark robes and staffs, bird sidekicks, and animal transformations.We'll be rich, live in a palace, and never have any problems at all.
Aladdin is the protagonist of the Disney animated feature film of the same name. A former street rat from the city of AgrabahAladdin spent much of his youth scraping for food and ducking guards with his monkey sidekick, Abu. Though sanguine, Aladdin's poor upbringing left him with severe insecurity, making him feel worthless and undeserving of love, specifically that of Princess Jasmine.
He nevertheless sustained a heroically selfless deposition, which in turn made him entitled to a magic lamp concealing a wish-granting genie. Aladdin is based on the eponymous character of the Aladdin folk tales featured in the Middle Eastern One Thousand and One Nights stories.
Aladdin was born to Cassim and Zenacitizens of the kingdom of Agrabah. Due to their struggling background, Cassim left Agrabah shortly after Aladdin was born in hopes of finding a better way to provide for his family.
Due to this, Aladdin never met or knew his father, believing he was dead and was given a dagger as his only memento. A few years later, Aladdin's mother passed away, leaving him an orphan and forced to fend for himself. By the time Cassim returned, he couldn't find his family, believing them to be dead, resulting in him leaving Agrabah out of despair, where he'd eventually become a leader of the infamous Forty Thieves, though this would remain unknown to Aladdin for an extended number of years.
Due to being orphaned so early, Aladdin never received a formal education, nor had a positive role model to guide him through life. With no form of income, he was forced to learn to survive on the streets of Agrabah. Lacking other means, he steals only to survive, but his good heart often moves him to donate his stolen goods to those who are as poor, if not poorer than him, making him a Robin Hood-like figure. When Aladdin was seven, he had his first encounter with Razoulthe new captain of the Sultan 's guard, after stealing an apple from a fruit stand.
Initially, the boy managed to outmaneuver the guards, but was eventually apprehended and sentenced to detention within the palace dungeon; however, he managed to escape by picking the locks to his chains.
While in his mid-teen years, he stole a vest, a pair of pants, and a fez from a clothesline, which would form his signature outfit.
At the age of ten, Aladdin was best friends with a fellow street rat and thief, Amalbut unlike Aladdin, he stole money and valuables for his own selfish greed, which Aladdin was strongly against.
Aladdin was present when Amal disappeared, unaware that he was taken and became an El Khatibserving one of his future adversaries, Mirage. When he was sixteen, Aladdin fell in with a group of circus performers and con artists: AzizFatima, Minosand their pet monkey, Abu. Aladdin and Abu would form a brotherly relationship throughout this endeavor, and would eventually leave the circus, but remain together as both partners and best friends.
In the earliest stages of the story, Aladdin was portrayed as a much younger character—a boy, as opposed to a young man. The idea was brought upon by animator Glen Keanewho believed Aladdin, the lead of an underdog story should have a more meager, vulnerable appearance to match his role in the film's narrative.
In addition, he claimed that typical Disney films have a sort of class system with their characters, such as the cartoonish sidekicks, the dramatic villains, the beautiful heroines, and the boring "Prince Charming"-type heroes that "nobody ever wanted to animate".Sign In.1964 penny worth
Edit Aladdin Aladdin Naomi Scott Jasmine Marwan Kenzari Jafar Navid Negahban Sultan Nasim Pedrad Dalia Billy Magnussen Prince Anders Jordan A. Omar as Jordan Nash Taliyah Blair Lian Aubrey Lin Omi Amir Boutrous Jamal Numan Acar Hakim Omari Bernard Guard 1 Nathaniel Ellul Guard 2 Sebastien Torkia Guard 3 Buckso Dhillon-Woolley Matron Ceara Batson School Girl Vinani Mwazanzale School Girl Demii Lee Walker School Girl Elena Zacharia School Girl Nazerene Williams School Girl Bessy Naidu School Girl Marisha Wallace Busybody Woman Maya Saroya Beguiling Woman Amer Chadha-Patel Mounted Palace Guard Omar Abidi Chubby Aladdin Stefan Kalipha Imam Firas Taybeh Zulla Elif Knight Mother Saikat Ahamed Jailer Amed Hashimi Prisoner 1 Stefan Capper Prisoner 2 Jamal Sims Handsome Prince Alan Tudyk Iago voice Frank Welker Cave of Wonders voice Rest of cast listed alphabetically: Fabio Abraham Arabic Man uncredited Lee Admassie Ali's Trumpeter uncredited Nicky AndersenAladdinbeing one of the earliest ones, stood out for being something new and fresh.
The film handed out these important lessons through quotes that were certain to resonate with the viewer, no matter the age range. Even after the live-action version has been released, fans have a special place in their hearts for the film.
Most of the time, the consensus has remained that the originals are far better, and this has contributed to new viewers wanting to check out just what made these films so good.Toyota noah townace
With Aladdin being one of the topmost movies ever released by Disney, it stands as the go-to film for any viewer. This one really goes to show just how much love Genie had developed for Aladdin, as he was ready to give up freedom for all eternity if it meant the latter was happy.
It was here when the two finally understood what it was like to be free, although true freedom turned out to be different. From here on out, the two were meant to be.
This can be interpreted in both happy and sad ways, with Genie reminding Aladdin of the moral behind this quote. After all, moments are fleeting, and they are inevitably going to be left in the past. Jasmine got to do a lot of quality thinking in her time isolated in the castle.Dbx 586
She had this piece of wisdom to teach viewers, something she realized after being pretty much stuck in captivity despite being a princess. In fact, she relished at the prospect of being considered as part of the people.
This was uttered twice by Aladdin, with contrasting scenarios. Both times, Aladdin took Jasmine away from the mundane happenings she was used to. However, it was when he was hit with the term once more that we saw how it affected him. Aladdin was shown depressed in his hideout for being shamed in public for being poor, and it was here we saw how badly he wanted to be seen for who he really was rather than always being judged for being poor.
The point hit home more because this feeling was so relatable to the viewer; nobody wants to be seen as something they're not. The animated version also had her moments of empowerment, with this one being the best one.Harry dominates petunia lemon
Here, Jasmine saw how Aladdin, the Sultan, Jafar, and everybody else were going on about her future while she was meant to watch powerlessly. Every hero needs that one moment where they are called out for thinking too highly of themselves, and Aladdin got his when he betrayed the Genie and went back on his promise to release him.
In that moment, Genie realized that Aladdin might have seen him as more of an ally than a friend, and called Aladdin out for his lack of honesty. The bumbling version of the Sultan was honestly much better than the one we got in the recent live-action incarnation, as this moment where the Sultan finally made a worthwhile decision carried more weight. When he realized that the rule of only marrying a prince was wrong, especially considering how Aladdin had proven himself more worthy than anybody else, the Sultan abolished the former law and allowed Aladdin to be with Jasmine, proving why the Sultan deserved his title.
Aladdin is a great film to teach the younger ones a lesson in humility, as we saw how the poor Aladdin was more deserving of happiness due to his gentle nature, as compared to those who were richer but were horrible people. The interesting thing about this film was that all of the main characters were trapped in one way or another.
This is an extension of the quote above, but the memorable part here is the superb line delivery of the legendary Robin Williams. The line has been used as the litmus test over whether someone could be on par with Robin as the Genie. He got to have an entry into the castle, but that was the extent of it as Aladdin realized if he wanted to be happy he had to accept himself for who he was. This line might seem like a throwaway one since by this point all of the conflicts had been resolved, but it is actually extremely significant as Jasmine finally had a choice in her future.
So, hearing her happily choose Aladdin as her future husband brought the satisfaction that Jasmine herself was finally free. After all, it was the moment where Aladdin released Genie that it became clear he chose his friendship over his romantic interest. Out of all the heartwarming scenes in the movie, it was when Genie said these words that most people should find themselves tearing up as the two best friends embraced and accepted one another for who they were. And Genie was right too, Aladdin had proven himself to be as good, if not better, than any prince there might have been.
Apart from freelance writing, Saim is a lifestyle blogger, co-owning the blog 3 States Apart. By Saim Cheeda May 19, Share Share Tweet Email 0. Related Topics Lists aladdin disney.Jasmine   is a fictional character who appears in Walt Disney Pictures ' 31st animated feature film Aladdin Despite an age-old law stipulating that the princess must marry a prince in time for her upcoming birthday, Jasmine is instead determined to marry someone she loves for who he is as opposed to what he owns.
Originally conceived as a spoiled, materialistic princess, the writers eventually rewrote Jasmine into a stronger and more prominent heroine following the elimination of Aladdin's mother from the script, while borrowing story elements from the romantic comedy Roman Holiday Several months after securing the role, Larkin was nearly fired from the project because Disney executive Jeffrey Katzenberg felt that her voice was not suitable for a princess, but Clements and Musker managed to convince him otherwise.
Discovered by casting director Albert Tavares, Lea Salonga was cast as Jasmine's singing voice based on her performance in the musical Miss Saigon ; this unprecedented casting decision made Jasmine the first Disney Princess to have her speaking and singing voices provided by two different actresses. Animated by Mark HennJasmine's design is an eclectic combination of unique sources, including an anonymous theme park guest, Henn's own sister, and actress Jennifer Connelly.
Unlike most of Disney's princesses, Jasmine is a supporting character in her own film, taking the secondary role of the love interest. The character has garnered mixed to positive reviews, with much of her character arc compared unfavorably to her predecessors Ariel from The Little Mermaid and Belle from Beauty and the Beastbut has been praised for her personality and her chemistry with Aladdin.
Jasmine has made subsequent appearances in Aladdin 's sequels The Return of Jafar and Aladdin and the King of Thievesas well as its television series and a Broadway musical adaption of the film. Both Larkin and Salonga have been awarded Disney Legends for their contributions to the role. Naomi Scott played the character in the live-action adaptation of the original film.
Jasmine is based on the princess who appears in the Middle Eastern folk tale collection One Thousand and One Nights specifically the story " Aladdin and the Magical Lamp. Directors and writers Ron Clements and John Musker eventually disregarded Woolverton's script in favor of developing something more similar to Ashman's version, albeit making several changes to his treatment, among them approaching the character of Jasmine "a little differently,"  while maintaining Woolverton's vision of "a princess that Aladdin could woo.
The casting of American actor and comedian Robin Williams as the Genie inspired the studio to recruit similarly talented voice actors capable of matching his pace. In the form of an extensive series of callbacks, Larkin returned to the studio on several different occasions over the next few months. Before discovering Larkin, Disney had been insisting on auditioning exclusively performers who were capable of singing as well as they could act. Jasmine's singing voice is provided by Filipina singer and actress Lea Salonga.
The character's blurb on the official Disney website reads, "Jasmine is an independent, fiery beauty capable of taking care of herself" who "longs to experience life outside the palace. Having originally been hired to animate Aladdin's mother, the removal of the character from the film ultimately provided Henn with the opportunity to animate Jasmine instead. Model Robina Ritchie served as an on-location reference for the animation, pantomiming actions to the recording of Larkin's voiceovers so, in Henn's words, "the animator gets the feeling of what the real human movement would be".
The final appearance of Jasmine consequently inspired the studio to redesign Aladdin accordingly because Katzenberg felt that the main character, who was originally depicted as a younger, "scrawny" underdog did not resemble a suitable leading man for Jasmine,  which they feared would result in unconvincing chemistry between the couple.
As a character, Jasmine is both similar to and different from Disney heroines who preceded her. Cargal as a member of Disney's "continued efforts to reshape their heroines for a more feminist age,"  in addition to providing young girls with strong female role models with whom they can identify. Distinctively, Jasmine is not Aladdin 's protagonist, a role held instead by title character Aladdin, while Jasmine herself occupies a secondary role as the film's love interest  consequently lacking significant character development.
Alongside Aladdin 's other main characters, Jasmine embodies the film's central theme of longing for freedom from some form of confinement or oppression.
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